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Edge

UK · 1993–present

The UK's most critically rigorous games magazine, known for its austere visual design, willingness to award low scores to high-profile games, and a long-running editorial philosophy that treats games as a serious design discipline.

Edge launched in October 1993 from Future Publishing under the editorship of Steve Jarratt, with a visual identity — dark cover backgrounds, minimal typography, anonymous review bylines — that signalled immediately that this was a different kind of games magazine. The publication's scoring scale, where a 10/10 is genuinely rare and a 7/10 represents a recommendation, became its most talked-about feature: Edge awarded low scores to games the rest of the press celebrated, and the occasional perfect score — given to only a handful of games in three decades including Super Mario 64, Halo, and Dark Souls — carried enormous weight as a result. Review anonymity, maintained until 2009, was intended to emphasise institutional editorial judgement over individual critic personality. Edge has remained in continuous publication longer than any of its 1990s British contemporaries, repositioning through the magazine market's decline to serve a committed, technically literate readership.

Notable Issues:
  • Issue #1 (October 1993) — Debut issue with Ridge Racer cover, setting the restrained visual template
  • Issue #42 (March 1997) — Super Mario 64 awarded 10/10, only the third perfect score in the magazine's history
  • Issue #200 (March 2009) — Bicentennial issue featuring interviews with key game designers across the magazine's run
  • Issue #218 (September 2010) — Dark Souls preview coverage that introduced Western audiences to the Demon's Souls successor
Key Facts:
  • Launched October 1993 by Future Publishing; still in print as of 2025
  • Reviews were published without bylines until 2009 to emphasise editorial voice over individual critics
  • Has awarded a 10/10 fewer than ten times in its history; the score carries significant industry weight
  • Austere design — dark covers, minimal colour — has been largely unchanged since launch
  • Only major UK multiplatform print magazine to have remained continuously published since the 1990s